Brought to you in collaboration with People’s Education, and as part of the UCT Decolonial School (2018), “Freespace in the bush of cosmospirits” is the first iteration of the Freespace Ensemble. Making use of Freespace as a discursive platform with possibilities for knowledge production, it brings forward an argument about ontological reality, drawing on clues in the world as we concretely experience it.
Feelings Radio Project (2019 – 2023) Founded in 2019 by record collector and DJ Joey Modiba (aka Lirubishi) and performer-conductor Malik Ntone Edjabe (aka Hypocrite), Feelings Radio Project (FRP) was a pop-up radio and performance experiment combining music, sound-collage, improvisation and open dialogue to investigate and “get in our feelings” about a range of issues
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Sorcery! is a party dedicated to the power of sound and spirit, bringing together selectors, performers and conductors in a unified act of celebration.
Changing same: An ontology of spirit ‘Changing same: An ontology of spirit’ is a research engagement concerned with the nature of reality. It proposes a particular interpretation of the world and attempts to bring to life this worldview by building a living archive of inter-disciplinary performances and material. In doing so it draws substantially on